Yasmina Reza
Bella figura
Photo: Mara Bratoš
HNK Zagreb, Croatia
Première: 6. 11. 2015, HNK Zagreb, Croatia
Running time 1 hour 20 minutes. No interval.
Director Boris Liješević
Translator to Croatian Zlatko Wurzberg
Set designers Numen / For Use and Ivana Jonke
Costume designer Leo Kulaš
Music selection Boris Liješević
Lighting designer Aleksandar Čavlek
Assistant to director Arija Rizvić
Cast
Andrea Lana Barić
Boris Amette Milan Pleština
Francoise Hirt Olga Pakalović
Eric Blum Dušan Bućan
Yvonne Blum Ksenija Marinković
Voice from off Arija Rizvić
Bella Figura takes place one evening that begins with a fatal mistake. I've never told stories with my plays so I suppose no one will be surprised that I haven't done it with this one either. Unless you consider the volatile and heavy weaving of life a story in its own right. (Yasmina Reza)
Boris is a successful entrepreneur who intends to enjoy a romantic evening with his mistress Andrea, a single mother and a pharmacy assistant. Boris mentions on the fly that the restaurant was recommended by his wife and that small indiscretion causes serious, even catastrophic consequences.
Andrea is furious and doesn’t want to leave the car. When parking the car in front of the restaurant, Boris hits an older lady. After a while, another couple, Eric and Françoise, accompanied by Françoise’s mother Yvonne, join Boris and Andrea. Soon it becomes clear that the two couples are connected by the accident. To make things even more complicated, Françoise is the best friend of Boris’s wife. When Andrea suggests that they all have dinner together, Boris, who is still in shock after the
accident, is unable to reject that dangerous proposal. The tension between Boris and Andrea increases and soon everyone at the table is aware of the nature of their relationship. It also becomes evident that due to bad investments Boris’s company is on the verge of bankruptcy. The carefully preserved bourgeois façade of the successful businessman and a good husband begins to crumble down towards an inevitable implosion.
Photo: Mara Bratoš
Photo: Mara Bratoš
Photo: Mara Bratoš
